Consummate world traveler Jean-Michel Dufaux gives viewers an inside take on their favourite celebrities as they recount their three most unforgettable voyages. Their tantalizing tales filled with memories, anecdotes, and a tinge of nostalgia are highlighted with travel photos and breathtaking images that will have many packing their bags before the show is over.

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The corpse of a man, a bovine tag attached to his neck with the words "Can they suffer? "is found in a large slaughterhouse and meat packing plant in the Manosque region. The suspicions of the young inspector Samira Masson, whose first investigation this is, naturally lead her to an association for the defence of the animal condition which had been orchestrating a media hype against the company for some time. But the corpse turns out to be that of an undercover cop, belonging to a genuine and little-known division of the police, specialising in national veterinary surveillance. Etienne Barjac, commander of the IGPN, the police force, is sent to investigate.

Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ 　　Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　这就是这个故事的灵感来源。 　　这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 　　采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 　　最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 　　Sylvain Vincendeau 1998

Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ 　　Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 　　“在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 　　这就是这个故事的灵感来源。 　　这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 　　采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 　　最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 　　Sylvain Vincendeau 1998

One day in 1986, François Mitterrand forgets his black felt (his initials) in a Lyons restaurant. Daniel Mercier, a young executive who has just been reprimanded by his superior, who judges that the computerization of its business plan is stupid, steals it to clear his head. It was then that his life is turned upside down.

A peaceful provincial notable saves the life of a man who has just had a car accident. He has no idea that his life is going to be completely turned upside down…. Because Jean-Bernard Hollier is what we can call a “ball”. A ball with a big heart but above all a ball… And by wanting to thank his savior at all costs, he is just going to make his life hell! Not happy mafiosi, burglaries and troubles of all kinds will rain down on the two men and their family... All they have to do is work together to get out of this mess... But that is not a foregone conclusion. …

Roman has two problems: First problem: he is twice the age of Lulu. Second problem: it is not at all a problem for Lulu.